Hustling the Hustle , performed at Judson Church March 2012 apart of Movement Research
photo credit: Ian Douglas
Hustling the Hustle , performed at Judson Church March 2012 apart of Movement Research
photo credit: Ian Douglas
Hustling the Hustle , performed at Judson Church March 2012 apart of Movement Research
photo credit: Ian Douglas
Hustling the Hustle , performed at Judson Church March 2012 apart of Movement Research
photo credit: Ian Douglas
Hustling the Hustle , performed at Judson Church March 2012 apart of Movement Research
photo credit: Ian Douglas
Hustling the Hustle , performed at Judson Church March 2012 apart of Movement Research
photo credit: Ian Douglas
Hustling the Hustle, performed February 27th 2012 at Judson Church, apart of Movement Research.
EXPERIMENTAL MASSAGE, the video
I’m too sad to ride
| http: | //brooklynexposed.com/events/entry/4430/2011-10-22 |
MEDALLION SINCLAIR PRESENTS:
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A NIGHT OF PERFORMANCE AND
EXPERIMENTS IN MUSIC
OUTPOST ARTISTS RESOURCES
1665 Norman St.
Ridgewood, NY 11385
SATURDAY, OCT 22nd
7-10PM
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FEATURING NEW YORK BASED ARTISTS, PERFORMERS, EXPERIMENTAL COMPOSERS:
SKIP LA PLANTE
(http://www.furious.com/perfect/emi/skiplaplante.html)
Aurelia Insulinda, a micro tonal composition written by La Plante in 1981. (for conduit pipe tuned in 31 pitch per octave equal temperament)
HEATHER BREGMAN & KATIE DEAN
(http://medallionsinclair.tumblr.com/) (http://katiedeandance.com/)
Performing EXPERIMENTAL MASSAGE, a new collaboration by visual/sound artist Heather Bregman, and dancer Katie Dean. Relax and re-vibe as they grope their way through the murk of self-everything. Featuring sound works, projected landscapes, sculpture, and movement.
ALEX DREWCHIN (of guardian alien)
(http://cargocollective.com/alexdrewchin)
A solo exploration of the nuances within mimicry and vocal feedback.
JAKE DIBELER
(http://www.jakedibeler.com/)
performing GIRLFRIEND
With the assistance of popular music and culturally significant objects, Jake Dibeler’s GIRLFRIEND explores the complications of growing up as a disenchanted, depraved youth in the 1990s. His unique brand of disarming, semi-tragic humor creates a dynamic interplay between choreographed movement and prepared speech. “Like a full-throated rendition of your favorite pop song in a sleazy bar, Dibeler’s performances may have the veneer of naive optimism but they twang with the dissonance of an emotional breakdown. -Philadelphia Weekly
SHAMS
(http://romanticchoking.tumblr.com/)
Unlike any other Shams set, Jonathan Coward will indulge in new performative elements of retreat, rebirth and gratitude- continuing in his study of the many facets of diva-ism.
for more information please contact medallionsinclair@gmail.com or go tohttp://www.outpostedit.org/
PRESS for upcoming show in philly, EXPERIMENTAL MASSAGE